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Western Painting Artist Kim Sung-hee|Fantastic Formative Scene of Human and Nature
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ÀÏ»óÀûÀÎ »î°ú °ü·ÃµÈ üÇèÀûÀÎ »ç½ÇÀ» °ð¹Ù·Î ĵ¹ö½º¿¡ ¿Å±â´Â °ÍÀÌ ¾Æ´Ï´Ù. ±× ÀÚ½ÅÀÇ ¹®ÇÐÀûÀÎ °¨¼ö¼º¿¡ ÀÇÇØ ¿ëÇØµÈ »ç½ÇÀÌ Äµ¹ö½º¸¦ ä¿ì°Ô µÈ´Ù. ±×·¯¹Ç·Î ½ÇÁ¦ÀûÀÎ À̹ÌÁö´Â ÀÌ¹Ì ±× ÀÚ½ÅÀÇ ÀÇ½Ä ¼Ó¿¡¼ »ç¶óÁø´Ù.
She would never transfer the realistic factor that she experiences in her daily life into the canvas, bur the phenomena which have been melted together in her literary sensitivity have been transferred into it.
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´ÜÁö ±× ½ÇÁ¦°¡ ¾Ï½Ã, ÀºÀ¯, »ó¡ µîÀÇ Ç¥Çö±â¹ý¿¡ ¾ñÈ÷¸é¼ »ý·«ÀûÀÌ°í ´Ü¼øȵǰųª Àç¹èÄ¡, À籸¼º µîÀÇ Á¶ÇüÀûÀÎ À̹ÌÁö·Î ±× ¸ð½ÀÀ» ´Þ¸®ÇÏ°Ô µÈ´Ù.
Therefore, the objects are being rearranged and recomposed by omission based on the tableaux of implication, metaphor, and symbol, etc, transformed into the formative images.
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¹«¾ùº¸´Ùµµ ¿©·¯ °³ÀÇ Àå¸é ¶Ç´Â »óȲÀ» Â¥Áý±â ½ÄÀ¸·Î ¹è¿ÇÏ´Â À̹ÌÁö ¸ðÀ½ Çü½ÄÀº ³»ÀçµÈ ¾ê±â¸¦ ¸¶À½²¯ Åä·ÎÇÒ ¼ö ÀÖ´Ù´Â Á¡¿¡¼ ¹®ÇÐÀûÀÎ »ç°í¸¦ Áö´Ñ ±×¿¡°Ô´Â ¾ÆÁÖ ÀûÀýÇÑ Ç¥Çö¹æ¹ýÀÌ ¾Æ´Ò ¼ö ¾ø´Ù.
Most of all, her collection style which is the image of arrangement of a number of scenes and situations as if they were woven together is the optimal method for her to apply because of her literary concept and that she can express anything accumulated in her inner world.
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¹¦»ç±â¹ý¿¡¼´Â ÇüÅ°¨°¢À» ¾àȽÃÅ°°í ÀÖ´Ù. ¹Ù²Ù¾î ¸»ÇØ °¢ ¹°»óÀÇ À±°û¼±À» ¾àȽÃÅ´À¸·Î½á À̹ÌÁö °£ÀÇ °æ°è°¡ ¶Ñ·ÇÇÏÁö ¾Ê´Ù. Èí»ç ÆĽºÅÚ ±â¹ý°ú °°Àº ¹Ì¹¦ÇÑ Áß°£»öÁ¶ÀÇ ±× ºÎµå·¯¿î À̹ÌÁö´Â ½ÇÁ¦°¨À» ¾àȽÃÅ°´Â ´ë½Å ȯ»óÀûÀÎ ´À³¦À» Áö¾î³½´Ù.
In her descriptive technique, the sense of shape has been weakened. In other word, by weakening the configuration line of each object, the border of each image of the object is not clear. The smooth image of the delicate medium tints similar looking to pastel technique has increased the fantasized feeling while weakened the realistic existence feeling.
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¿ø»ö°ú ¿ø»öÀ» È¥ÇÕÇÔÀ¸·Î½á »ý±â´Â ÀºÀºÇÑ Áß°£»öÁ¶°¡ ȯ»óÀûÀÎ ºÐÀ§±â¸¦ ¸¸µé¾î³½´Ù. ºñÇö½ÇÀûÀÎ °ø°£ ó¸®¿Í »öäÀ̹ÌÁö¸¦ ÀÏÄ¡½ÃÅ°°í ÀÖ´Â °ÍÀÌ´Ù.
The graceful medium tints being created by mixture of the primary colors would often created a fantasized atmosphere. The disposition of unrealistic space is matched with the image of coloration.
¼Á¤ÀûÀÎ ºÐÀ§±â°¡ £°Ô dz±â´Â dz°æµéÀº °£°áÇÑ ÇüÅ·Π¾ÐÃàµÇ´Â ½Ã(ãÁ)ÀÇ À̹ÌÁö¿¡ ´ê°íÀÚ ÇÑ´Ù.
The landscapes with the thick lyric amenity is about to reach the image of poem being compressed into simplified shape.
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¾îµð¼³ª ÈçÈ÷ º¼ ¼ö ÀÖ´Â µµÈ¸Áö dz°æÀÏÁö¶óµµ »è¸·ÇÔÀ» ¹þ°í ºÎµå·´°í µû½ºÇϸç ȯ»óÀûÀÎ À̹ÌÁö·Î ¹Ù²ï´Ù. ±× ÀÚ½ÅÀÇ ²Þ°ú ¿å¸ÁÀÌ ±×ó·³ ¾Æ¸§´Ù¿î ȯ»óÀ» ¸¸µé¾î³Â´Ù.
The ordinary scenes of the urban district have been transformed into her canvas as a peaceful and warm scene from the dreariness. Her own dream and fantasy have thus created such beautiful scenes.
±Û:½ÅÇ×¼·, ¹Ì¼úÆò·Ð°¡/Hang-sup Shin, Art critic
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¡ß±è¼ºÈñ(Kim Sung-hee)
¡â°³ÀÎÀü 28ȸ=Çö´ë¹Ì¼ú°ü, Á¶¼±È¶û, °øÆò¾ÆÆ®¼¾ÅÍ, ¿¹¼úÀÇ Àü´ç, Àλç¾ÆÆ®¼¾ÅÍ, ´ë¹éÇöóÀÚ°¶·¯¸®, º»È¶û, µ¿¿øȶû, °¶·¯¸® »ó, °¶·¯¸® ÇÑ, °¶·¯¸®¾Æ¹Ì, Áß¾Ó°¶·¯¸®, °¶·¯¸® ¶ó¸Þ¸£ µî.
¡âIndividual Exhinitions 28times=National Museum of Contemporary Art, Chosun Gallery, Seoul Arts Center, Bon Gallery, Insa Art Center, Jung-ang Gallery, Daebaek Gallery, Dong-Won Gallery, etc.
ÀÌÄÚ³ë¹Í ¸®ºä ±Çµ¿Ã¶ ±âÀÚ kdc@
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